梅湘: 對聖嬰耶穌的二十凝視
鋼琴：陳必先 （Pi-Hsien Chen)
錄音：8
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| 本專輯圖檔引用自：https://www.naxos.com/Handler/GetBackcover.ashx/?file=https://cdn.naxos.com/SharedFiles/pdf/rear/Gramola98015r.pdf |
專輯背面的文字寫道：
I really do not know if I have an 'aesthetic', but I can say that I prefer music that is iridescent, subtle, even voluptuous (but not sensual, of course). Music that is tender or violent, full of love and fury. A music that soothes and sings, that glorifies melody and the melodic phrase. Music like new blood, an eloquent gesture, an unknown fragrance, an unsleeping bird. Music like strained-glass windows of complementary colours. Music that expresses the end of time, omnipresence, transfigured bodies, divine and supernatural mysteries. A theological firmament.
AI 翻譯：
我不敢說自己有什麼「審美觀」，但我偏愛光彩變幻、細膩精緻、甚至華美豐盈（但並非感官刺激）的音樂。它既溫柔又狂暴，飽含愛意與憤怒。它撫慰人心，吟唱不息，頌揚著旋律和樂句。它如同鮮活的血液，雄辯的姿態，未知的芬芳，徹夜不眠的鳥兒。它像色彩互補的彩色玻璃窗，表現著時間的盡頭、無所不在的存在、昇華的形體，以及神聖而超自然的奧秘。它宛如神學的蒼穹。
特別喜歡最後一段：
Music that expresses the end of time, omnipresence, transfigured bodies, divine and supernatural mysteries. A theological firmament.
在這場科隆聖則濟利亞教堂（St. Cacilien Cologne，目前用於中世紀美術館展覽）的現場演出，空間本身就有神學上神聖的意涵，與音樂本身相互輝映，讓聆聽著感受到凝視聖子耶穌中不同角度中，神聖與永恆的臨在
關於科隆聖則濟利亞教堂：
St Cäcilien: Romanesque church, museum, street art | Cologne Tourist Board
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